The Simon Armitage interview with Morrissey said far more about the state of my BBC sponsored demographic's establishment attitudes than about the plodding indie anachronism himself.
I feel like I should be part of the Mark, Lard, Armitage, middle-aged dry-humoured serious music fan set, but I just can't bring myself to raise my game and stroke my chin to a succession of bands that wouldn't have got record contracts in the 70s but are now lauded on 6Music's Pub Lunch With Graham Beard.
Talking about a new band called the Smiths, "Peel was never one for hype or eulogy, but somewhere within the lugubrious voice and deadpan delivery, I thought I heard a little note of excitement and perhaps even an adjective of praise."
Wrong, Simon. Peel's little note of excitement was his mind drifting to images of pretty young girls. He thought the Smiths were a load of old cunt and would much rather be playing something sent in by some unlistenable no-hope band recorded in some poor old deaf gran's kitchen in Uttoxeter.
One of the rules for my generation when talking about music is to drop John Peel's name into the conversation. As if we didn't have minds of our own. This nostalgia is suffocating and inaccurate and would send me to prison if ever I were to come across ex public schoolboy Phill Jupitus in the flesh and tempt him into talking about ex public schoolboys Peel and Strummer and wait for the sentimental "we're in this together" tear in his eye.
Armitage hides his not quite double platinum selling band's CD in his book of poetry gift to Morrissey. Morrissey is embarrassed as he forgot to bring his own 40 year old book of poetry Salacious Salford to give to Armitage and return the compliment.
I cringe for my establishment figures.
CMA: cannot mean anything
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