This was the decade of the last truly classic rock album, Nirvana's Nevermind. The decade when dance music was the format and DJs were the new gods. The most enjoyable time in history to be young, looking at things from a jealous middle-aged perspective for whom the 80s had been a time of abject misery.
Of course that's how it was.
So the dance single grew into the dance album with the likes of Daft Punk, The Chemical Brothers, Leftfield, Deep Dish, etc, producing stuff that you could sit and listen to at home. Contrary to the name, you don't have to dance to dance music. Just as my dad never danced to Ted Heath's Big Band but nodded his head like a demented pigeon.
As this was going on, The Aphex Twin, The Prodigy, Faze Action and Goldie were creating complex rhythms and tunes and music was alive again.
But I'm not going to choose any of these artists because I think of the 90s for me as the end of the old.
Britpop was retro music that took its influence from 60s and 70s guitar rock. The bands that did it for me weren't at the heart of the scene and probably would have hated to be lumped in with the Blur, Elastica and Suede family. Manic Street Preachers and Super Furry Animals are still making good albums fifteen years on which kind of goes against the grain for rock bands.
My 90s album harks back, too, to rock, blues and gospel. It is Ladies and Gentlemen We Are Floating in Space by Spiritualized.
Jason Pierce made this album after losing his woman to Richard Ashcroft. Imagine the pain he was going through and the drugs he had to take to blot out the image of seeing the love of his life with that untalented streak of piss. But great art can be produced under the influence of pain and drugs.
A fucking interview
3 hours ago