Count Suckle had all the best records, imported from the States and Jamaica. But where to play them?
The owners of the dance halls wouldn't rent them out to the Caribbean community so the only alternative was house parties.
The trouble with house parties is that they create noise which creates a natural antagonistic reaction from the neighbours who call the police who confiscate the sound systems.
And of course there's the perfectly natural reaction from teddy boys and other stupid white boys who disrupt the house parties by throwing petrol bombs and chanting "Burn the niggers! Kill the niggers!" and "Go back to your own country!"
This was the start of the first of the Notting Hill race riots in 1958.
Later in the programme we get working class white youth culture expert Robert Elms summing up the whole era:-
"I think for me mod is the core idea behind the whole youth culture caper, and between that extraordinary relationship between the music of black America and the lifestyles of working class England. I mean, mods are predated by teddy boys and the teddy boys are great, but the teddy boys wanted to stay in their place, they were very kind of brown ale and down the pub on a Friday night and 'gawd blimey' and they were right wing and they were all of these things..."
Yes, Bob. They were all of these things. They were racist cunts and they were gawd blimey and they were GREAT. They were GREAT because they were a smartly dressed youth culture, weren't they? Part of the youth culture caper, all the japes and fun of flick knives and petrol bombs. Oh what a jolly band of boys!
It's all a bit of fun isn't it, Bob?
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