It's the end of a very long era. Since the 70s, between the two of us we've bought Record Mirror, Melody Maker, Sounds, NME, New Music News, Smash Hits, The Face, Blitz, i-D, Flexipop, ZigZag, MixMag, Muzik(??), Select, Vox, Q, Mojo...
But for the past ten years it's been a strict diet of Uncut.
And recently it's become a chore, one in which, as a lazy person, I've not really participated. While Betty bites the bullet and reads all the chaff about the Rolling Stones, Neil Young and various other rock pensioners, I just skim through the new CD reviews and have a laugh at the letters written by extremely serious middle aged men who think The Hold Steady, for Christ's sake, are the future of music.
The Hold Steady - The Future Of Music
I saw she was struggling with the latest issue this week. Those golf and slippers dullards REM have apparently produced their "most straightforwardly enjoyable album since 1906's New Adventures In Hi-Fi."
"Just think of how much real reading you'll get done without all this shit," I said to her.
And I cancelled our subscription, just like that, two days before the next direct debit was due.
There is the worry that maybe we'll miss the odd gem like the re-issue of the brilliant White Noise album, An Electric Storm. But look, here it is on Uncut's website anyway.
So it's a final goodbye to the printed word. And a big hello to the 21st century.
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